
( Brand: Fisher ), ( Model: 500-C ), ( Part Type: Cabinet Receiver Amplifier Tube ), ( Country/region Of Manufacture: United States )
The 500-C Cabinet with a 500 Receiver and Fisher Amplifier Tube 500C 7591, serviced, is an exquisite piece of vintage audio equipment that is sure to captivate any audiophile's heart. This cabinet houses a 500-watt Fisher amplifier, a renowned brand known for its exceptional sound quality and durability.
The amplifier tube in question is the 7591, a type of triode vacuum tube that is often used in high-end audio systems due to its ability to deliver rich, detailed sound with minimal distortion. This tube has been meticulously serviced to ensure it's operating at its peak performance, providing you with a listening experience that is nothing short of extraordinary.
The 500-C cabinet itself is a work of art, crafted with a focus on both functionality and aesthetics. Its vintage design will add a touch of elegance to any room, while its sturdy construction ensures it can withstand the test of time. Inside, you'll find a well-organized layout that makes it easy to maintain and repair the components, should the need ever arise.
This 500-C system with serviced 7591 tube is more than just an audio component; it's a gateway to a world of sound that few experiences. It's a testament to the craftsmanship of yesteryears and a reminder of the simple joy that comes from listening to music the way it was meant to be heard. Whether you're a seasoned audiophile or a music lover looking to upgrade your listening experience, this 500-C Cabinet with 500 Receiver and Fisher Amplifier Tube 500C 7591 is an investment that will pay dividends for years to come.
Pros of buying a 500-Watt Fisher Amplifier Tube 500C with 7591 serviced:1. High Power Output: With a 500-watt power output, this amplifier can deliver powerful and clear sound, making it ideal for large rooms or home theaters.
2. Tube Technology: Tube amplifiers like the Fisher 500C are known for their warm, rich, and detailed sound. They can also provide a more natural and dynamic sound compared to solid-state amplifiers.
3. Serviced 7591 Tubes: The 7591 tubes in this amplifier have been serviced, ensuring that they are in good working order and can provide a long-lasting and reliable performance.
4. Classic Design: The Fisher 500C has a classic and elegant design, making it a great addition to any audio system.
Cons of buying a 500-Watt Fisher Amplifier Tube 500C with 7591 serviced:1. Maintenance Required: Tube amplifiers require regular maintenance, such as tube replacement and cleaning, to ensure proper functioning and longevity.
2. Higher Cost: Tube amplifiers, like the Fisher 500C, tend to be more expensive than solid-state amplifiers due to the cost of the tubes and the labor required for servicing.
3. Less Energy Efficient: Tube amplifiers are generally less energy-efficient than solid-state amplifiers, as they consume more power while delivering the same amount of sound output.
Conclusion:The 500-Watt Fisher Amplifier Tube 500C with 7591 serviced is a high-quality tube amplifier that delivers powerful and rich sound. However, it requires regular maintenance and is more expensive than solid-state amplifiers. If you are willing to invest in a tube amplifier and are looking for a classic design and warm, detailed sound, this amplifier is a great option.
Recommendation:If you are interested in purchasing the 500-Watt Fisher Amplifier Tube 500C with 7591 serviced, it is recommended to do your research and compare prices from various retailers to ensure you are getting the best deal. Additionally, consider factoring in the cost of maintenance and the energy consumption of the amplifier into your decision-making process. Overall, this amplifier is a great investment for anyone looking for a high-quality tube amplifier with a classic design and warm, detailed sound.
Its bass is tight, punchy, and electrifying. It's the all of the above box on the audiophile sat. The phono tape head stage uses one 12ax7 tube per channel for about 20db of amplification. The lettering inside of the chassis is also clear and legible and no rust at all.
The 7591a eh offers better dynamics, deeper and much tighter bass, greater air and space between instruments, and a wider, deeper sound stage. The era of vintage audio, roughly 1965 through 1970, comprised the gilded age of hi fi and the ripe years of rca living stereo and mercury living presence records. Perhaps a nip and tuck of the treble, or padded down mid bass bump, will turn those ugly ducklings into majestic swans.
You can get away with playing an original condition 500 c for a short time, but don't plan to use it as your system centerpiece unless you've done the updates. Current market prices of functional 500 cs run from 175 to like an slay single malt whisky footnote 8 it's delicate but raucous and can kick some serious butt. In that note he said, a door has opened for you, and your family, on virtually unlimited years of musical enjoyment.
1960s vintage speaker lug terminals are narrow binding strips that predate today's fancy spades and bananas plugs. It is serious high end audio, and offers a bouquet of endless multilayered soundscapes, pinpoint and holographic images, startling frequency response, and exceptional pace, rhythm, and drive. Fm stereo combines the left l and right r audio channels in a technique called multiplexing, in which an l r signal is broadcast simultaneously with an l r signal. The speaker binding strip adapters accept heavy gauge stripped wire and or traditional banana plugs and are essential for connecting speaker cables to vintage amps.
The band is hot, and the sound is front row center, the players set up in a virtual reality semicircle inches from your face. In fact, many identical parts were shared across Fisher model's for cost savings and production efficiency. The Fisher 500 c the Fisher 500 c stereo receiver was the pinnacle of high fidelity reproduction in it was cleaned and aligned. Footnote 5 we audio sells assorted vintage parts.
But before you put the phone on, be sure to turn down the volume pot the jack is always connected to the sound source. Avery Fisher was right about those unlimited years of musical enjoyment. If you close your eyes tight, you can smell the stale air and renaissance odors.
You can plug in and play original units, but it's best to make three basic updates first see the reviewing testing vintage audio components sidebar. It's in the same league as the first wave of set all stars baby engage footnote 6 wave length cardinal, Melbourne laurel, Romero 845, and wright sound EPA Footnote 3 if you search online for Fisher radio corp. Through the Fisher doctor footnote 3.
I've auditioned many classic vintage amplifiers over the years. The speakers vanish. This stuff is as far from windup Victrola sound as HDTV is from 1950s black and white TV.
The 500 c's front panel headphone jack gives you the full power of the 7591a eh output tubes. Matched rca nos 7591 output tubes. Frequency modulation FM footnote 2 was adopted for stereo broadcasting for its ability to reject spurious signals and noise such as the sound of your vacuum cleaner, static electric sparks, or lightning. It's detailed without being sterile, musical without being sappy.
The unit has been serviced. I'm gaga over vintage for the sound.
There are six control knobs on the lower half of the face plate, and two on the top, one at each end of the ruler dial for the FM band.
The dynamo is a very good amp, but it lacks that nth degree of palpable realism that the Fisher delivers in spades. Conclusions why is the Fisher 500 c so magical it does not have audiophile approved parts. The Fisher has a big, robust sound. The 212 tried has the reputation of producing solid state like bass along with set like tonality and realism.
It's actually the studio at 's sky walker ranch. Cosmetically, this unit is very clean. The Fisher 500 c is very special, with that rare ability to draw me into the sound and the music. I'll be first to tell you that the Fisher 500 c does not have the effortless headroom or bass extension of a krill full power balanced 600 slight cost difference.
It's an affordable entry point for those new to the audio hobby. Nothing is cryogenic ally treated. I place the transformer in line with my low output moving coils, test the level, and compare both inputs for noise, dynamic range, and headroom optimization.
A mint, low hours 500 c rarely goes for more than the Fisher's 35wpc is comparable to a dynamo stereo 70's, as is its second hand price. The Fisher's transient attacks are clear, and packed with harmonic overtones. Today, ultra rare units such as the Fisher fm1000 broadcast tuner can be maintained or repaired from beaters and discarded Fisher stereo receivers.
It does not have the purity of tone or crystal clear naturalness of the flea powered It's remarkable. 5ips hot, horribly bass shy, with a truncated lower mid range. Don't panic chill out, plug in your Tannhauser headphones, and crank it up.
Scotch whisky from this island region is big and complex, with a warm, peaty finish. Seek out cable brands that use standard size jacks. My test for this is dick human's age of swing LP, reference RR 59, a once in a lifetime record that does everything right. This, an often good thing for early digital releases, is one of the few faults I hear in the 500 c, and is apparent only when the Fisher is tested against my reference Romero audio labs 212 set footnote 7.
The Fisher retrieves the instrumental spatial cues perfectly and nails the images firmly in a realistic sound field that's as close to live as a recording can be. The out of phase explosions of electronic ripping and shredding will grip you by the throat and leave you gasping for air.
Fisher used the same multiplex decoder in all its tuners and receivers. All tested strong with no shorts and gas leakage. What suits me best is a big, full force dynamic range system that can image and be delicate at the same time.
The Fisher's dynamic range is explosive. Many feel this is the best tube receiver ever made. It is in excellent operating condition all lights are working all of the switches have been cleaned and lubricated. I've lived with both, and I now own five 500 cs and no stereo 70s.
I always thought that tone controls wreaked havoc with transparency and added unimaginable amounts of hash and grain, but the 500 c's rudimentary equalization is surprisingly non detrimental. A smoko blue point special high output MC phono cartridge is a good match gain wise, but for lower output macs, it's best to use a step up transformer to lower the noise floor. Hillier reads the poem, accompanied by lute, in what appears to be an old European cathedral. I coax great sound from solid state and tubes.
The new tube is fantastic it sounds far better than the original 7591a in this application. The knobs are brown plastic with brass end caps that come unglued over time, fall under the couch, and disappear forever. It will definitely put some fun back into your listening obsession.
It's built on a standard steel plated chassis. You'll find AL plies, postal employee by day and Fisher doctor by night. It grabs you around the knees and rips your socks off.
It's a lottery win for your ears. A Fisher 500 c sold for 369 in with its active tone controls, it's the antithesis of the purist audio approach. I also demand neutrality, and, believe it or not, this vintage stuff delivers.
There is a reason for this, and it's not just nostalgia. But you'll be buying blind and deaf, so caveat emptier. The sunned rising, from Paul hillier and Nigel north'scrags of time 17th century lute songs CD, harmonica mind hum , offers one of the greatest spatial palettes i've heard in recorded sound.
Footnote 8 pronounced eye lug. A summing and difference decodes the two signals as discrete left and right channels.
It's ideal for second systems or modest living spaces. They dig tube sound as much as we do, and have increased the demand for vintage output tubes for their fender, Cox, and Marshall amps. The 500 c's amplifier section has five front end inputs two phono inputs and a tape head input all three of these use the phono stage but with different equalization options selected, a monitor input, and an aux input.
Magically, Sinatra's voice takes on lifelike, three dimensional presence, emerging from the mix in seductive, you are there naturalness. It has no resonance control stuff or secret potted circuits. The top of the range is reserved for cosmetically mint and electronically restored units. The face plate is brushed aluminum, anodized a soft platinum gold color.
It's also remarkably affordable and a simple mouse away. This rejection ability, plus a wide distance between stations 200khz vs am's 9 10khz gave FM ample room for more than twice the basic audio band width 20hz 15khz required for stereo broadcasts without impinging on adjacent stations. All capacitors and resistors were checked and replaced as needed.
It reproduces ambient air and natural reverberation better than all but a few, exceptionally priced pieces of audio art. Little did I know how much it can enhance the listening experience and transform previously unplayable recordings. It was a technological tour de force that combined a full function control preamps with a 35wpc power amplifier and a stereo multiplex FM tuner that offered the highest sensitivity rating of the time footnote The FM section has enough options auto stereo, stereo, de emphasis, mono to make you pause a moment before tuning in to NPR or air America.
Setup and features the Fisher 500 c uses a solid state full wave rectifier for its front end circuitry, and half wave rectification for its b voltage rails, the latter smoothed with RC pi filters. The Fisher 500 c will blow apart your expectations of vintage audio.
Best of all, it gives us gray haired hi fi veterans a respite from the spiraling expenses of new gear, and it can offer the intrepid audio explorer sonic performance that I feel can be comparable to that offered by modern gear. I'm not an antique audio collector or an apologist for single ended tirades sets. Tone it down the best features of the 500 c are its tone controls bass, treble, and loudness contour. Vintage audio offers something for everyone.
This era of audio embodies the work of such names as Saul marinates, heron Homer Scott, Rudy bask, James b. Sound I placed the Fisher on walker audio cones for vibration control and wired in a set of banana plug speaker terminal adapters, available from we audio in Hong Kong footnote 5. Avery Fisher's 500 c may unlock new worlds for the adventurous audio thrill seeker or it may simply be an affordable solution for the summer home. I'm not satisfied unless a system can excel with both a willowy 16th century motet and a count Basie big band.
The Fisher's foremost sonic attribute is its uncanny ability to reproduce enormous spatial presence. Who could predict that, 40 years later, Avery Fisher's crystal ball had been spot on that thousands of units of this American audio engineering classic would be the centerpieces of the music and fidelity pastime, of vintage audio forget everything you've read or imagined over the past 20 years vintage gear does not necessarily sound rolled off, soft and woolly, or fuzzy. I would never go vintage because it's cool or hip. The 500 c's sound stage compares with anything out there, whether single ended, push pull, or solid state.
The 500 c has dual phono inputs, one labeled phono high for old ceramic cartridges, the other phono low for mid to high output magnetic cartridges. The Fisher's line stage is clear, concise, and crisp, though not as crystalline pure as the convergent audio technology ultimate's. The sound stage is wide and deep, giving up only a thumbnail of grain to cost no object designs the Fisher 500 c uses 7591a output tubes, now discontinued.
I always thought the old stuff would sound overly colored or warm. It's not half an inch thick and is not machined from solid mil spec stock 40 years ago, designers had yet to discover the sonic benefits of thick face plates. The rectified bridge replaced. But they're plentiful and shamefully affordable.
Two stations broadcast in FM stereo on that day weft Chicago and cfm Schenectady. I can also do trades. However, it has more pace and drive than the wright, and can mate with a greater number of speakers.
Jones' low frequency effects are terrifying when he combines them with startlingly sharp cymbal attacks scattered throughout your room, you'll stare in disbelief at this 40 year old tube receiver. A flip of the Fisher's loudness switch plus a boost of the bass knob to 2 o'clock turns this un listenable dog into a great recording. The very same reference sound your speakers see is what the jack delivers.
It was scruffy and looked very homemade. I am interested in vintage audio equipment. A full 3 in diameter and 12 tall, this tube produces 60wpc set, and its low plate impedance, hence high damping factor, enables it to drive large, cost no object loudspeakers.
The layers are exact, and the width extends beyond the speaker sides. I suspect its magic is based on good engineering, intelligent voicing, and high quality transformers. Meter works as well as the stereo beacon light. No matter how much I like music, I like the sound, too.
It is the most enveloping recording in my collection, and my n metro uni desert island LP. Has lots of goodies to help you restore your 500 c, including electronic restoration packages aka rest Parks, which come complete with caps and resistors and all sorts of doodads. It's a bit bigger than the original, but it still fits the 500 c's sockets and inside its handsome wood cabinet. The inline cord on off switch was added.
5w wright sound EPA Fisher 500 c vintage stereo receiver by peter Brenner posted jun 19, 2005 back in 1964, Avery Fisher, founder and president of the Fisher radio corporation, wrote a short note for the 500 c stereophonic FM multiplex receiver owner's manual. A conservative estimate of the number of 500 cs built runs to more than 100,000 units. If your taste borders on the bizarre, spin the syncopated rhythms and cut and scratch samples of Bryan Jones' Muslims his later body of work.
Little did he know how right he would be. The output and power transformers, filtering caps, and output tubes are at the rear, the line stage and FM front end tubes are in the middle, and the face plate and tuning dial are at the front. Don't worry replacement end caps are available from the Fisher radio corp.
However, the biggest surprise of vintage gear was finding that this was not so. The 500 c's phono stage is very good, offering wide dynamics, punch, and drive. Until recently, you had to buy used or nos new old stock 7591as, but a new 7591a, the 7591a eh, is now being manufactured in Russia by Soviet under the elector harmonic label footnote 4 four can be had for less than collector condition mustangs now trade for between 10,000 and 15,000.
I wonder where it is now. Fisher radio corporation, 27 dale ham street, Staten island, NY Lansing, Paul clips, David haler, and Henry loss dead guys with ears. I've had success with limber scag, nor dost red dawn, and acoustic research. It sounds as if the woofers have been turned off.
The market has met demand with new tubes from old factories in Russia and eastern Europe, and it's good news for all of us. Footnote 1 the minimum input signal required in an FM receiver to produce a specified output signal of a specified signal noise ratio. Also, the input jacks on the 500 c are so close together that it's a tight fit for exotic rca plugs. Fisher tuners were and still are revered for their sound, and were built to such high standards that Fisher maintained tube based production designs well into the solid state era.
Some of them are necessary today's household wall voltage s are well above yesterday's 110v, and can shoot as high as 125v. An aggressive low frequency boost is the ticket. These guys used the absolute best minds available to design and engineer sonic marvels that have stood the test of time as icons in a world now dominated by home theater. It's amazing.
All tubes match numbers on the chassis pair plus shipping. Footnote 7 this 44,0 limited edition amplifier is based on the western electric 212 transmitting tried tube, the big brother in the 211 family.
The face plate is flawless with crisp and clear lettering and brass end caps on all knobs.